Remembrance/Gratitude/Praise Tag

On the brow of the hill where the view is attention seeking is a simple bench. “In memory of Alan Holden 1924-2011…expertly monitored butterflies and helped create the nature reserve for all to enjoy,” reads the plaque. Eight years since his death, and here lie fresh flowers. The living rush about, send texts, busy themselves with infinite to do lists. This eight-years-gone man has time to remind us to sit awhile. I remember a holiday free from the tyranny of digital means. We sat on a bench on a hill to watch the passing of sunlight across a valley, and the movement of goats. We called it ‘goat tv’. I stop and remember at this place of remembrance that other view where we stopped and sat.

Pavement shrines spring up on the streets outside the formality of churches to signify an unexpected death, an accident or a brutal ending. On this particular corner the end of the working week is announced with a gathering. A member of this club has died. His end is celebrated like any Friday with Wray and Nephew over-proof rum. A Jamaican flag, his name, a photo have been taped round the tree where they meet in honour – RIP it reads. Flowers and candles are placed here to remember him. A balloon is now slowly exhaling. Is this the Jamaican tradition of Nine Night happening here, on the street corner?

We returned to the beach of the Thames to mudlark for bones and shells. We scooped water close to the outlet of the River Fleet. We sat, sensing the slice of history resting in the sediment. Animal bones, and broken clay pipes nestle alongside drift wood and bottle tops. A cross section of time lies in the water. The intersection of culture and faith meets here too – the Globe, Tate Modern and St Paul’s. We trundled then with our loads back along Millbank re-walking the streets walked these last twelve days. Our pilgrimage ended back in Trafalgar Square where we landed to make an altar with our harvest for the closing ceremony. We the Grief Listeners brought a group intention of dropping into the land, of space holding, of pause and reflection. Through all the complexities, imperfections and words, we did our best to “remember our love for this beautiful planet that feeds, nourishes and sustains us.”*
*From Extinction Rebellion’s Solemn Intention Satement.

I love ‘Who Do You Think You Are’. Celebrities who I don’t always know delve into their family history. I relish the way that global themes narrow down to singular personal histories, which inevitably involve rags, riches and short life spans. The threads to forgotten tragedies are found or lost and tears come for those Blessed forbears who trod the earth before. Brian Blessed’s thundering voice trembles as he addresses his great great great grandfather, “I wanted to find guts and courage and imagination. This is what life’s about”. Some of our ancestors watch from the walls.

In a hidden corner of South London is artist Stephen Wright’s extraordinary house. It is a cave of wonders, an eclectic collage of colours, textures, objects and images. Over many years he has crafted the house to tell the story of his own ethnobiography. Confronted by the death of his parents and then partner, the walls, ceiling and sculptures inside reflect the narrative of his grieving process. It is a moving temple of remembrance. As I revisit the ‘House of Dreams’ for the third time I am welcomed through its blue door – where conversations about art, beauty and death are celebrated. www.stephenwrightartist.com/houseofdreams.php

On opening the door, an unfamiliar dog bolts through my legs and dashes across the road into the park. I follow, adrenalin pumping. A high speed chase ensues through the park and out at the other end. “What’s the dog’s name?” I pant into my phone, the rush of traffic drowning out the reply. “What?” Dog crosses main road, down the pedestrian ‘Narroway’ and out into another road where cars stop their manoeuvres to let us pass. We are approaching another large busy road. I have run out of sprint. Then a young man appears on the opposite pavement on a scooter. He out-rides the dog-in-a-panic whose name sounds like ‘Daz’, catches him for me to grab. This is not a tale of a lost, injured or dead dog, but one about gratitude. After the briefest of thanks, the young man scooted off. Today, out walking a mile and a half in the other direction I meet my rescuer. We swap names, shake hands and I am able to thank him properly, my street angel. On the ground I find a very small saint.

South of the river – behind and between the brick warehouses, pubs and centuries of old Southwark lies Crossbones. Gathering every 23rd of the month at this once forgotten paupers’ burial ground is a crowd of people come to celebrate the edge dwellers of life. We offer words and tokens in memory of the outcast, the ‘othered’ and of sex workers. John Crow – bard and shepherd of this flock welcomes the absurd and the unheard. I imagine this diverse but woolly-hatted crowd creeping out of the cracks in the city to bring their undervalued blessings; here to remember those who have fallen through the cracks. Libertines speak poems into the dark, drowned out intermittently by the rumble of jets full of people who can’t hear the poetry. www.crossbones.org.uk

A long slow sun down strokes the city in copper light. We watch a new city rising up, and remember the places we have known over the years in this spot. Through the mists and splashes of the fountains run the ghosts of the groovers we were in the 80’s at warehouse parties in Battle Bridge Road. And ravers in the 90’s at the Cross or Bagley’s in dingy warehouses with festoon lights, beer residue sticking to our hyperactive trainers. Now the gas towers are an exoskeleton for apartments and the warehouses are filled with sparse rails of crisp linens.

The cemetery stretches into the distance. Monumental headstones made of York stone sit near, marble with occasional flower vases in the far reaches as the centuries shift. I park randomly, stepping out to find my great great uncle Jehu’s grave and along the first line of stones there are several familiar surnames. I scatter ginger cake and crumbly cheese, leave white roses as offerings to these forebears I never met who lived in this town I never knew until now.

The name of the mill was built into the brick façade with the confidence of the industrial revolution’s entrepreneurs. The history of the family is bound and twisted – like the ropes they made – with the mill. The place, its legacy has been knitted into my own psychogeography. Here it is, my first encounter with this legendary edifice. The dark red brickwork and broken windows conceal a complex weave of family history, ethics, and exploitation, and the story of cotton in Lancashire.