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If any of these resonate, come to one of our Taster Events.

• I’ve seen your events, but I don’t know if it’s for me.
• I haven’t heard of Grief Tending, what is it?
• I think I need something like this, but it makes me feel anxious.
• Is this too alternative for me?
• I feel too shy to do this with others.

Some common reasons that people try Grief Tending are:

• I don’t have any space to grieve.
• I feel afraid of the future.
• I feel sad or angry.
• I don’t feel anything.
• I want to connect more deeply to my grief.

In one of our Taster Events you can:

• See and hear the Embracing Grief Team.
• Discover more about the practice of Grief Tending.
• Ask questions.
• Taste the Embracing Grief vibe.

Book here to see all of our upcoming events.
Subscribe to our Grief Tending mailing list by ‘Following with email’.

Contact us if you would like us to offer a Taster event for your organisation or group.

Sarah Pletts is a Grief Tender and Artist who offers workshops in London and online, sharing rituals where grief on all themes is welcome. For more information about Grief Tending see the Embracing Grief website.

A guide to the best grief books through Francis Weller's Gates of Grief

At different times in our grief journey we may reach for a book about grief. But which are the best books to bring comfort for different life challenges? The right book at the right time can offer a life-line in the bewildering mix of feelings and circumstances that grief is made up of. Through reading the words of others, we may find solace, and the recognition that we are not alone with grief.

Here are some of my favourite books on grief, in its widest context. Many have accompanied me at times of need and in relation to Anticipatory Grief, in preparation for times to come. There’s even a word for looking for support from a book – ‘bibliotherapy’.

I’m going to use Francis Weller’s ‘Gates of Grief’ in this article as a way into the landscape of grief. As a starting point to feel into, each gate opens wide into many sources of grief. Which are the best grief books for each situation? With each Gate I suggest books that might be relevant.

ALL THAT WE LOVE WE WILL LOSE
(Francis Weller’s 1st Gate of Grief)

 

Best Books for Grieving and Need Help Now

 

‘Tending Grief’ by Camille Sapara Barton

If you are in acute grief and can’t concentrate long enough to get to the next paragraph, let alone read a book, but are willing to try some simple exercises, jump to Part 2 of ‘Tending Grief’ by Camille Sapara Barton. This section is a toolkit of supportive grief practices and rituals.

Quote: “These grief spaces will enable us to make generative connections between our own lives, our ancestors, and the stories of the lands we inhabit or are ancestrally connected to. We will all have space in the community to be with our sorrow and be embraced with tenderness.”

‘The Grief Book’ by Debbie Moore and Carolyn Cowperthwaite

If you can’t cope with doing a five-minute exercise, or concentrate at all, ‘The Grief Book’ is a little treasure trove of bite size pieces of information and coping strategies, to take in small steps.

Quote: “Everybody’s grief is unique. However you have reacted so far is fine, it’s how you needed to be. There is no one correct way to grieve. There are as many different ways to grieve, as there are people grieving.”

 

Best Books for Understanding Grief

 

‘The Wild Edge of Sorrow’ by Francis Weller

If you or someone you know is grieving, and you want to find your way around the territory, ‘The Wild Edge of Sorrow’ is an excellent guide. Francis Weller describes the many different reasons we may grieve. It offers a way to navigate the complex and intertwined sources of grief. And it provides a framework for collective grief rituals, which can help us to make sense of it all. It is written in beautiful language which speaks to the soul. Francis Weller provides a series of ‘Gates of Grief’ which may resonate with you personally, or in a messy tangle of inter-weaving reasons to grieve.

Quote:“Grief and love are sisters, woven together from the beginning. Their kinship reminds us that there is no love that does not contain loss and no loss that is not a reminder of the love we carry for what we once held close.” 

‘Bearing the Unbearable’ by Joanne Cacciatore

This book brings a rich mix of deep wisdom that is anchored in the stories of those who have experienced traumatic grief. The death of Joanne Cacciatore’s new born daughter was her doorway into the exploration of suffering through loss. ‘Bearing the Unbearable’ does not sweeten the pill of needing to pause and be with grief, but does so with compassion. Short digestible chapters build up an understanding of grief. While Joanne Cacciatore focuses on the death of a loved one, she also recognises the threat that unprocessed grief poses in our communities and societies.

Quote: “When we love deeply, we mourn deeply; extraordinary grief is an expression of extraordinary love. Grief and love mirror each other; one is not possible without the other.”

 

Best Book for Coping With the Loss of A Loved One

 

‘It’s OK That You’re Not OK’ by Megan Devine

If you have lost someone dear to you – whether family member, close friend or beloved pet, this is a practical guide to personal loss. Megan Devine brings an understanding of the grief-phobic culture you are likely experiencing that loss in. There is an invitation to the reader to approach and use the chapters in any order. It is brilliant and helpful. There is also a fantastic section about what to say and how to be with someone who is grieving.

Quote: “The reality of grief is far different from what others see from the outside. There is pain in this world that you can’t be cheered out of. You don’t need solutions. You don’t need to move on from your grief. You need someone to see your grief, to acknowledge it. You need someone to hold your hands while you stand there in blinking horror, staring at the hole that was your life. Some things cannot be fixed. They can only be carried.”

 

THE PLACES THAT DID NOT RECEIVE LOVE

(Francis Weller’s 2nd Gate of Grief)

 

Best Book for Coping with the Legacy of Unmet Needs

 

‘Self-Compassion – the proven power of being kind to yourself’ by Kristin Neff

Kristin Neff describes the science behind why self-compassion is a powerful strategy, and how to put it into practice. This book has a simple message told in detail. It doesn’t have a grief focus; but in working with grief of all kinds, self-compassion is a simple and effective tool.  In the absence of care for all parts of ourselves, and faced with expectations that are impossible to meet, we may have a fierce critical voice inside us. The legacy of neglect or an absence of support is often a sense that ‘it’s my fault’. The many ways this internalised voice gives us a hard time, can be gently re-oriented with self-compassion. There are some guided exercises to help practice self-compassion, if reading a whole book feels unmanageable.

Quote: “When we consistently give ourselves nurturance and understanding, we also come to feel worthy of care and acceptance. When we give ourselves empathy and support, we learn to trust that help is always at hand. When we wrap ourselves in the warm embrace of self-kindness, we feel safe and secure.”

 

Best Book for Processing the Grief of Childhood Trauma

 

‘Unshame’ by Carolyn Spring

Shame is a feeling that is entangled with relationships, with how others see us. If we did not receive the loving care and attention that we deserved as children, or as adults, grief for the places in us that weren’t loved may be coupled with shame. Carolyn Spring is a survivor and guide for those who have experienced abusive or coercive behaviour, which can leave us with a feeling of unworthiness that may be internalised as toxic shame. In a culture where grief is not welcomed, shame may also be entangled with the way we grieve. Self-kindness is one of the most important needs when working with painful feelings.

Quote: “There’s all this stuff – the trauma, the abuse, the stuff that happened to me – and it’s messed my life up, but I mustn’t tell anyone or talk about it or refer to it or be affected by it, because it’s too much. No one wants to hear it. No one wants to know about it. .No one wants to feel it. So I have to hide it and hide it, and I have to push it away deep down within myself, so that no one can see. But it doesn’t go away and it doesn’t stop affecting me and it’s all too much…”

 

THE SORROWS OF THE WORLD
(Francis Weller’s 3rd Gate of Grief)

 

Best Books for the Impact of Grief for Our World

 

‘Tending Grief’ by Camille Sapara-Barton

In the first part of the book, Barton introduces the practice of Grief Tending. Barton shows how the consequences of untended grief create further harms. The consequences are loaded against those who have less power or have experienced marginalisation. It is necessary to recognise the political, social, and cultural contexts that loss and trauma happen in. Tending our own grief – especially in groups is a route to find balance, restoration and resilience in the face of suffering and injustice. This is an act of community benefit, and not just for our personal development. Tending grief is a form of activism. It is needed as a balance to action in social justice movements. It may help us to face the fear and anger of anticipatory grief in relation to climate change, violence, oppression and systems of harm.

Quote: “As counterintuitive as it feels, embracing grief in agreed-upon containers would bring so many treasures to this work. When we set down what is too heavy to carry, it creates more space to think in a flexible way, to orient from a place of love rooted in what we care about and how we wish to operate in integrity. Tending grief can support us to feel more choice and support us to resolve conflicts, build trust, and engage in somatic transformation as a group – changing ways of being that have become automatic.”

‘Earth Grief’ by Stephen Harrod Buhner

Earth Grief invites us to face what is happening in our home planet, and to us as part of nature. Stephen Harrod Buhner places responsibility and accountability squarely on the shoulders of the polluters and extractors, rather than holding personal guilt. For me, his love and connection with the natural world help me to acknowledge what is happening, and to sit with the discomfort of this a little more comfortably. The overwhelm and disconnection are part of my coping strategies, and yet he calls on us to keep feeling.

Quote: “Astonishingly enough, the decision to turn the face to the source of the pain and grief, to fully embrace it, stimulates, over time, the emergence of the form of Earth work that is uniquely yours to do: work that comes from your essential genius, the work you were born to do, the work that Earth needs you and only you to do.”

 ‘Hospicing Modernity’ by Vanessa Andreotti

How do we begin to include collective endings? Coming to terms with the times we live in can be too overwhelming to begin to contemplate. Vanessa Andreotti is clear that if we really feel the myriad ways in which modern life is failing humanity, we will have to come to terms with the difficult feelings that may be unleashed. Andreotti illuminates the inter-relationships between systems of oppression, social injustices and extractive, exploitative businesses. She urges us to face the systems we are part of in order to understand and change our mode of engagement. For me, there is relief in this unflinching look at the consequences of current complexities, with an awareness of the differences between those in high or low intensity struggles. Understanding Andreotti’s world view may be a first step in engaging with grassroots, indigenous perspectives and finding ways to honour the more-than-human-world in our human struggle.

Quote: “The basic premise of the methodology is that if we cannot hold space for the complexities within us, there is no chance for us to hold space for the complexities around us.”

 

WHAT WE EXPECTED AND DID NOT RECEIVE
(Francis Weller’s 4th Gate of Grief)

 

Best Book that Recognises the Longing for Belonging

 

‘Of Water and the Spirit’ by Malidoma Patrice Somé

Malidoma Somé’s powerful memoir is about life in his Dagara village in Burkino Faso in Africa, that is undergoing changes brought about by colonisation. He experiences both a deep connection with his ancestral lineage, and a separation through his education in a Jesuit school. What ensues in an exploration of what happens in the absence of initiation, and the importance of connection with elders and ancestors. Documenting a society in flux both describes what our nervous systems have been designed to expect, and what happens when the lines of culture, tradition and care are broken.

Quote: “Wealth (among the Dagara) is determined not by how many things you have, but by how many people you have around you.”

 

Best Book for the Grief of Broken Hopes and Dreams

 

‘Billy, Me & You’ by Nicola Streeten

A brilliant graphic novel that tells the story of the grief and recovery from the death of her child in drawings. Billy died at 2, and this memoir was drawn several years later, based on the diary Nicola Streeten made at the time. It is full of the sad, annoying, odd things that happen in a grieving family. It includes the raw, but also observes the particulars of how the death of a child was handled by those around the family. I love the details about behaviours and biscuits that bring it to life and make it so relatable. It is both funny and real.

Quote: “This daily crying was a psychological necessity, like a bowel movement. But I was terrified by the surrounding taboo – the social limits to the display of grief and the involuntary judgements of others. At the same time I knew I would lose my mind if I bottled up such intense pain.”

 

Best Books When Facing Death and Dying

 

‘One Last Thing’ by Wendy Mitchell

Wendy Mitchell is a great guide to the options and decisions around end of life. She was diagnosed with early onset dementia, and became an advocate for the disease. Agency and choice are key guiding principles as she faces her own end of life. With family and medical professionals, she systematically explores her options in a frank, and friendly manner. This is the last of three books in which she explores focussing on living and what she is able to do despite having dementia. Highly recommended as inspiration for living fully and putting your affairs in order.

 Quote: “I am not trying to tell you how death must be done, or how it should feel for you. I just want to gently remind you that one day it will come, and the more prepared you are, the more conversations you are able to have with medical professionals and with those you love, the more empowered you will feel to live in the now – and you don’t need a progressive or terminal illness to do that.”

‘Grace and Grit’ by Ken Wilber

Cancer diagnosis and treatment have changed hugely since this was first published in 1991, but it remains one of my favourite books on facing illness. Essentially, it is a love story, written between and through Ken Wilber and his wife Treya; two eloquent people each with their own spiritual and creative practices. Grief is intimately entwined with love, as its shadow twin. In addition to being a story about being or caring for someone with cancer, ‘Grace and Grit’ also offers an examination of the judgements and blame that may be ascribed to someone already dealing with the facts and physical consequences of illness. The authors examine the cultural meanings of the ‘sickness’ as seen by both orthodox and alternative medical perspectives. The book is also part mystical dive into the relationship between spirituality and mortality.

Quote: “The thought of losing her was unbearable. The only recourse I had was to try to stay in the awareness of impermanence, where you love things precisely because they are fleeting. I was slowly learning that love did not mean holding on, which I had always thought, but rather letting go.”

 

ANCESTRAL GRIEF
(Francis Weller’s 5th Gate of Grief)

 

Best Books on Digesting Intergenerational Grief

 

‘The Smell of Rain on Dust: Grief and Praise’ by Martin Prechtel

Martin Prechtel describes how undigested grief is carried down through generations. He shares his own experiences and brings indigenous wisdom from the Mayan Tz’utujil people of Guatemala, he calls for rituals and practices that process untended grief. His words weave magic in appreciation of the wild, deep, wonder of the world.

Quote: “When you have two centuries of people who have not properly grieved the things that they have lost, the grief shows up as ghosts that inhabit their grandchildren.”

‘Healing Collective Trauma’ by Thomas Hübl

Thomas Hübl recognises that collective trauma needs to be transformed in collective spaces. In this book he brings together the theories that help to understand how collective trauma is formed – through group experiences that impact whole communities. He describes the ways in which unresolved past suffering of traumatised persons is carried between generations. He also examines ways in which we may begin to attune and witness in group processes in order to begin the work of systemic healing. In a world where violence, war and oppression are rife, ongoing intergenerational trauma requires understanding and a willingness to do the deep work of healing together.

Quote: “Explicit traumas may injure the current function and ongoing development of individuals, while the enduring and implicit effects of trauma across individuals generate a vibration of suffering within a culture. This tapestry becomes a wavefield of collective trauma, and every human culture expresses pockets of generational trauma.”

THE HARMS I HAVE CAUSED MYSELF AND OTHERS
(Additional Gate from Sophy Banks and Azul Thomé)

 

Best Books on the Grief I Have Caused

 

‘In the Realm of Hungry Ghosts’ by Gabor Maté

Addictions may be a manifestation of ways in which we harm ourselves and others. Our accommodations that created protective defences may be maladaptive in our current life circumstances; but were much needed protectors at times in our lives when there was more stress or trauma than we could cope with. If adverse childhood experiences were a part of your development, you may resonate with Gabor Maté’s classic exploration of the relationship between developmental trauma and addiction. He also makes a clear case for neglect and absence of attunement from care givers as a significant form of developmental trauma. Maté makes the link between our painful feelings and adaptations – such as addictions – to manage feelings. Addictions may be a way in which we have inflicted harm on both ourselves and others. Managing active addiction is usually a necessary first step. Different chapters of the book explore different themes.

Quote: “A child can also feel emotional distress when their parent is physically present but emotionally unavailable. Even adults know that kind of pain when someone important to us is bodily present but psychologically absent. This is the state the seminal researcher and psychologist Allan Schore has called ‘proximal separation’.”

‘The Entangled Activist’ by Anthea Lawson

There are many impacts which happen to us that cause us to feel grief. However, there may also be a significant number of ways we may have caused harm. Despite our best intentions, our entanglement with the world of relationships and complex global problems can make our helping impulses manifest as over-giving or rescuing. The ways in which our need to do good in the world, can become part of the problem. Anthea Lawson is a shrewd, observer of herself, the organisations she has served and the scope of problems with deep intractable causes. Rather than rush into head-driven solutions, this book is an invitation to slow down and take a good long look at our motives and find our way back.

Quote: “Sophy Banks observes that the ‘missing link’ in traumatised cultures is the ‘return path’ from the fight/flight or freeze states to regular nervous system functioning. The return path should be a social one. People who have experienced trauma need the soothing of others. They need holding and they need practices that create safety and that support them to ‘shake out’ the emotional and physical residue of the event.”

 

OTHER
(An extra Gate so that everything is welcome)

 

‘Grief is a Thing With Feathers’ by Max Porter

This is a book that doesn’t neatly fall into a pigeon hole. It is not a personal memoir, and it is written by a poet, but defies being ‘poetry’. Like crow – a metaphor for grief – it is wild, raw at the edges, clever, enchanting, and curious about mortality. It drops lines like feathers, which speak volumes, and allows ‘Crow’ to cajole, poke, laugh and expand our understanding of a Dad and his two sons, who have lost their mother.

Quote: The house becomes a physical encyclopaedia of no-longer hers, which shocks and shocks and is the principal difference between our house and a house where illness has worked away. Ill people, in their last day on Earth, do not leave notes stuck to bottles of red wine saying ‘OH NO YOU DON’T COCK-CHEEK’. She was not busy dying, and there is no detritus of care, she was simply busy living, and then she was gone.”

‘Hell Yeah Self-Care! A Trauma-Informed Workbook’ by Alex Iantaffi and Meg-John Barker

Alex Iantaffi and Meg-John Barker recognise that different things work for different people at different times in terms of self-care. This fundamental understanding is part of a trauma-informed approach that acknowledges the context that we operate in, including our histories and neurobiologies. Self-care as defined here is a radical practice. This work book offers an opportunity to explore what works for us, what blocks us, and what it means to be kind to ourself (or selves). It includes lots of questions and blank pages for reflection.

Quote: “We’re part of systems, such as families, cultures, communities and so on. Our relationships with these systems shape our capacity to care for ourselves and others.”

I have read and enjoyed many other really good books on the themes of dying, death and grief. In this article I have tried to identify the best books – both well written and applicable to someone facing the natural spectrum of emotions that make up a particular source of grief. I find using Francis Weller’s ‘Gates of Grief’ as a framework helpful to understand the many possible layers and sources of grief that may be part of someone’s unique grief picture.

Sarah Pletts is a Grief Tender and Artist who offers workshops in London and online, sharing rituals where grief on all themes is welcome. For more information about Grief Tending see www.griefsupport.org.uk .

 

Review of Kristin Neff's 'Self-Compassion'

Kristin Neff’s ‘Self-Compassion – the proven power of being kind to yourself’ is a guide to how and why developing self-compassion is an invaluable tool for resilience. Neff offers practical steps to becoming more self-compassionate, and unpicks the pre-requisite ingredients.

As a result of the internalised expectations from unsupportive care-givers, competitive education, driven work environments and abusive systems and systemic cultural norms and social media, a judgemental inner voice is often running inside us.

In working with people who are coping with the challenges of grief, I often discover how much they are giving themselves a hard time, which exacerbates the emotional turmoil they are already facing. People often believe they are wrong in some way. They imagine they are grieving to hard, too long, not enough, or not in the right way. Teaching simple tools for self-compassion is an essential part of the Grief Tending approach we use. Kristin Neff explains the research that supports the benefits of self-compassion.

Neff defines self-compassion as requiring self-kindness, recognising our common humanity and mindfulness. Ending a habitual tendency for self-criticism requires regular self-nurture and care. She explains ways to do this like a self-hug which releases oxytocin in a similar way to a hug from another. Our nervous system usually responds positively to caring touch, which soothes. Learning to recognise our needs is the beginning of the way to shift from inner judgement to care.

Through Grief Tending, people often uncover a sense of shared humanity. It is powerful to experience that we are not alone with our suffering. The “suffering with” others of compassion is another piece in allowing ourselves more self-kindness. Neff’s research-based work looks at self-compassion as a personal strategy. She focuses less on the context in which we suffer, our external circumstances, which may be integral to our agency to practice self-compassion.

A mindful noticing of our emotional states is necessary to recognise them and offer ourselves kindness. People often understand the grief of bereavement, but may fail to register how many other sources of suffering they are carrying. Developing our self-compassion also builds our capacity to hold others,

“Our research shows that self-compassion allows us to feel others’ pain without being overwhelmed by it. It other words, when we recognize how difficult it is sometimes to be there for people who are struggling, and comfort ourselves in the process, we are able to be stronger, more stable, and resilient when supporting others in their suffering.”

“It’s not as scary to confront emotional pain when you know that you will be supported throughout the process.” Self-compassion is a way to manage our pain, by acknowledging hurt, and offering simple caring touch. Reading ‘Self-Compassion’ is a first step. Building habits around self-kindness is what may make the difference when we are coping with loss and emotional hurt.

For Grief Tending workshops in London and online see here.

Sarah Pletts is a Grief Tender and Artist who offers workshops in London and online, sharing rituals where grief on all themes is welcome.  For more information about Grief Tending events see here

Hand-drawn book about my relationship with death 'Hello This is Death'

“Why did you become a Grief Tender?” People often ask me why I hold Grief Tending spaces. There have been a number of profound experiences of grief and loss in my life. ‘Hello This is Death’ describes one of them. It is an animated hand-drawn book that I made in 2020 while I was learning to animate with Tony Gammidge. It is a series of images using felt-tip, crayon and ink. ‘Hello This is Death’ tells a visual story of my response to the death of my father.

My father died suddenly at 63. It wasn’t my first encounter with death, but it was the first one that turned my life upside down. I was a typically chaotic, naive 23 year old. It was a very intense time for me as I navigated a huge range of feelings, which is normal in any grief process. I reacted very differently to my mother, which added to my confusion.

There were also a lot of practical steps to take care of, many of which I attempted. In ‘Hello This is Death’ you can see some of the ways I responded to the situation. I try to convey the sense of unreality that I experienced, going through my own grieving process, while normal life continued.

When my father died, I felt as though I didn’t know what to expect, and I didn’t have any skills that were useful. Many people were generally unhelpful, and gave me bad advice. Most didn’t know how to be with someone who is grieving, and even at my father’s funeral someone tried to stop me from crying, just at the moment when I found an outpouring of tears.

Part of my investigation in the decades since he died, has been to find out how to be with death in a better way. I have had the chance to practice being with someone during their final years and last days several times since then. Each time I have learned more about the process of dying, and the practice of grieving.

Watch ‘Hello This is Death’ on YouTube. You can see some of my animated videos about Grief Tending here, and book Grief Tending workshops here.

Sarah Pletts is a Grief Tender and Artist who offers workshops in London and online, sharing rituals where grief on all themes is welcome.  For more information about Grief Tending events see here

'UK AIDS Quilt' shown at Tate Modern 2025

The UK AIDS Quilt is a series of 42 large panels plus 23 smaller textile panels to commemorate over 380 people who dies of AIDS in the 1980’s and 1990’s. It was also designed to raise awareness of the ongoing AIDS pandemic.

Each panel is comprised of about 8 individual textile pieces. Each piece is made to remember someone. Friends and families have sewn and painted names, dates, images, symbols and words that reflect each person represented. There are a few famous names portrayed too including Bruce Chatwin, and Denholm Elliott. There are more details about each panel including the names of those who died on the UK AIDS Quilt website.

Shown together at the Tate Modern, the quilt brings a joyous clash of colours and styles – more outsider art than usually adorns the space. It is lying for a few days in the cavernous Turbine Hall, which easily swallows its length. Despite the Quilt’s size, it is only a small representation of the impact of lives lost in the AIDS pandemic in the 1980’s and 1990’s.

A lot has changed since the first case diagnosed in the USA (1981) and the UK (1982). This is thanks to effective testing, information about transmission, antiretroviral treatment, needle exchange programmes, blood product screening and treatment as pre-exposure prophylaxis with PrEP. For those in communities most challenged, there were often frequent, multiple reasons to grieve as thousands died. For more information about the shifts in infection rates, treatments and different demographics affected by HIV/AIDS, see AIDS Map.

My cousin was diagnosed with HIV in 1986, and eventually died ten years later. During the last weeks of his life, I began to understand the nature of the disease, as I sat at his bedside watching its cruel progress on his fragile body.

I now wish I had joined in this creative memorial act at the time and made an oblong of vibrant colours stitched to mark ‘Amaya Ben’s’ dance through life. I imagine how this might sit among the groovy cat and music lovers, the religious, the irreverent and uniquely personal representations that now tell an important piece of our collective cultural history.

To mourn losses old, new, and systemic, find Grief Tending workshops here, and for a space that is LGBTQIA+ focussed we also hold Grief Tending events at Queer Circle.

Sarah Pletts is a Grief Tender and Artist who offers workshops in London and online, sharing rituals where grief on all themes is welcome.  For more information about Grief Tending events see here

Different sizes of grief ritual shown here with stones

Different Grief Ritual Sizes

Whatever the size or format of the Grief Tending rituals and events we offer, they all follow a similar shape, and include the same arc of experience. We begin by building connection within the group, and calling on support. Then we offer exercises to help surface feelings. A central grief ritual allows emotions to be expressed, and then we are welcomed back into community. This is followed by gentle soothing. Towards the end, we do some tasks to help us integrate our experience of the session before closing.

A Big Grief Ritual

The Embracing Grief Team and Sophy Banks are holding ‘Tending the Heart’, a 4 Hour Grief Tending communal grief workshop in London with the capacity for up to 100 participants plus a large team to provide support. It has the potential to be a powerful experience, an opportunity to share a big grief ritual with many others.

Small Group Grief Workshops

The size of the group we are in effects the shape and impact of the event. In our small group workshops in London, the maximum capacity is 12 participants plus 3 Grief Tenders in the team. At this size, everyone will be able to hear something from each person. A small group allows everyone to feel connected. It is intimate. We may feel visible, which may be both exactly what we hope for, and uncomfortable for some. The facilitators will have direct contact with each group member. There is usually an option for stepping into a quieter space, or having a one to one chat with a team member if needed, to support someone’s ability to participate.

Medium Size Grief Workshop

In a medium sized group of 13-24, there is usually a bigger team supporting the participants. There may be exercises in small groups, where intimate sharing is possible. But not everyone will hear from each person. A group ritual is likely to have more energy than in a small group. There are more potential connections to make, so it may feel less intimate, but also provide more opportunities to meet different people or find those with shared experiences. The group itself may be a dynamic mix of people. The facilitators will still have direct contact with every member of the group. We have capacity for up to 20 participants plus team at our new venue in Devon.

Big Grief Ritual Events

We design the format of the session to accommodate the size of the group. We also take into consideration the surroundings. In a large event with more than 25 people, everyone will not necessarily meet or hear from each person. The group itself takes on more of a holding role. The facilitators will hold the space and steer the energy of the whole group, but not have direct contact with every person.

The big workshops and community rituals which we have held at festivals have comprised 150-200 + participants, depending on the available space. This may allow people to feel more anonymous, to try the practice with less self-revelation. Strong singing and drumming may happen in a big group, offering another layer of community holding. This kind of stimulation and noise may also be overwhelming if sensory processing is challenging for someone.

Grief Tending rituals with Sobonfu Somé, one of the main conduits of Grief Tending as a practice, would regularly hold huge groups. When a gathering of this size comes together, there is opportunity for a very potent ceremony.

People often have different needs, and understanding these different grief ritual sizes may help someone recognise what is right for them. Our frequently asked questions page includes more information about different formats of event – such as online or in person, one or two day events. You can see more about Grief Tending, and different workshops here.

Sarah Pletts is a Grief Tender and Artist who offers workshops in London and online, sharing rituals where grief on all themes is welcome.  For more information about Grief Tending events see here

Molly Kochan is author of 'Screw Cancer: Becoming Whole' as in 'Dying for Sex' the podcast and TV Series.

‘Dying for Sex’ is a stunning podcast on Wondery. (The first four episodes are available to listen, but sign in to a free trial to hear the last three). It is raw, honest and funny. Molly Kochan and Nikki Boyer are best friends, and invite us into their revealing conversations.

Molly has Stage IV breast cancer, has just left her husband and is on a mission to find out what she likes sexually. On the way, she begins to reclaim her sensuality after a history of abusive relationships. It sounds like a drama, but it is just two friends chatting about life.

Molly’s sexploits are fun, but the intimacy of her relationship with Nikki sucks the listener into a more real, deep and meaningful conversation about sex, death, love and friendship. It made me laugh, and cry, as we hear Molly, and picture her through the lens of Nikki’s loving encouragement.

‘Screw Cancer; Becoming Whole’ is a short book by Molly Kochan. Finished in hospital, Molly is writing the completion of her journey to heal and grow around her childhood trauma. The urgency with which she is writing gives another window into her story, but it lacks the warmth and humour that Nikki brings into the dynamic between them in the podcast.

The ‘Dying for Sex’ TV series takes the bones of the podcast, and some of the themes in the book to create a drama inspired by real events. It takes Molly’s experience of relationships after a Cancer diagnosis and develops them into a credible script. Playing with the details that are shared in the book and podcast, the series takes the central premise and creates a hugely entertaining drama. It is both funny and moving as it challenges the viewer’s perception of how someone with Stage IV cancer should behave.

I love the way love and loss entwine in the narrative. Molly’s story is both tender and real, portraying sexual intimacy. The themes of both sex and death are explored with a refreshing openness, and humour.

Laughter in distressing circumstances is often a much-needed valve when someone is grieving. How to have fun and experience pleasure is also an important ingredient in end-of-life care, that may be unexpressed by someone with a life-limiting condition, or overlooked by care-givers. Take heed, it is never too late to try something new, or ask for what you desire.

For Grief Tending workshops that honour both love and loss as interconnected, see here.

Sarah Pletts is a Grief Tender and Artist who offers workshops in London and online, sharing rituals where grief on all themes is welcome.  For more information about Grief Tending events see here

'A New Kind of Wilderness' image from the documentary film.

The Wilderness of Grief

‘A New Kind of Wilderness’ is a moving portrayal of a family navigating love, loss and belonging. The film captures how grief shows up in many forms. We see the family’s struggles to navigate change. It is unusual to see the intimacy of grief revealed, as it often remains private, and undocumented. Over time, we discover how the family meets the challenges, through the beautifully captured micro details of their relationships with each other and the world around them. This documentary film may resonate with different experiences of the wilderness of grief for its audience.

Loss of Hopes and Dreams

In everyday life, grief manifests as a range of natural emotional responses to many kinds of loss, change and absence. This includes bereavement, as well as other forms of separation, longing or change.

One of the ways in which grief plays out in ‘A New Kind of Wilderness’ is in the loss of hopes and dreams. We see multiple elements of grief in the film, as one impact sparks an unravelling of layers. Nik and Maria have chosen to create a sustainable lifestyle, home-schooling the 3 younger children, but the future they have imagined together crumbles.

Secondary Losses

When grief impacts us with one loss, separation or tragedy, there may also be other associated losses, endings or changes. Some of these ‘secondary losses’ or consequences may dramatically affect the life of someone who is already grieving. The death of a loved one for example, may start a whole connecting set of losses like dominoes falling. This may cause a bewildering and devastating impact on all those involved.

Our Existing Emotional Landscape

Each person’s grief is unique. When something happens in our life, like the death of someone close to us, it doesn’t arrive in a neutral environment. It lands in our existing emotional landscape. What impacts have come before, may define how this new event adds to our current grief load. Are there unresolved issues, previous losses, absences, childhood traumas, minority stresses, or other pressures that might affect how we deal with what is happening in the present? There isn’t usually a neat and easy pathway to follow, but we may turn away from the feelings; and then when we have capacity, move to face into grief.

Additional Factors to Grieving

If we are well supported, and resilient enough to experience the emotional storm, we may be able in time to grow through grief. When the death of a loved one happens, there are many factors that will affect our ability to cope. What was our relationship like? Did we have time to prepare for their end-of-life? Were the circumstances traumatic? Are we accepted by their friends and relatives? Are we separated from home? How resourced are we?

Finding Enough Support

In order to meet the challenges of grief, we need enough support, and resources to manage our circumstances. A supportive community around us in the wake of loss, is really helpful. Feeling a sense of belonging and shared values may enable us to feel held by family or community. If this is not available, it may be yet another reason to grieve. There are ways that the family in ‘A New Kind of Wilderness’ are making ‘alternative’ choices. Belonging becomes an important longing, as each person learns to adapt to new circumstances.

When we are grieving in a grief-averse culture, it can really amplify the sense of being an outsider. Whether there are people around us who are ‘grief literate’ and willing to listen without judgement or fear matters. We also need people to help with practical jobs that are beyond our capacity. It is important to be able to reach out to ask for and receive the support that may be available to us.

Simple practices that help us to take care of ourselves are essential. In the wake of loss, juggling the needs of everyone at home, and having space to be with grief may be complex. As a parent in a grieving family, it can be difficult to find what supports you, as well as helping children to adapt and grieve at the same time.

Grieving Style

Our grieving style is one of the things that will affect our ability to grieve well. Our personality, history, socialisation, cultural norms and even our neurobiology will make a difference in how we experience feelings and express grief. When things are too much to bear, we may find ourselves overwhelmed or numb. We may feel a confusing mix of anxiety, rage, despair, guilt, and deep sorrow. There may be relief, gratitude and love present too. These are all normal responses to life’s challenges.

There are many ways to allow the natural expression of grief – whether quiet or loud. If we can find kindness, without judgement, (from ourselves or others) it can ease our journey through the wilderness of grief. Shame is also often present where others are suggesting that it’s time ‘to move on’. Grief doesn’t have a sell-by date. Space to be with our own grieving process, for as long as it takes, is a more useful frame. We don’t ‘heal’, but may in time, be able to grow our life around the grief.

Rituals to Manage Change

Rituals can help us to manage change. In ‘A New Kind of Wilderness’ we see the family create some of their own rituals to mark the passing of time, to remember and to honour what is important. You may have an existing belief system with a known set of practices around rites of passage. For those without a particular faith, choosing what to do and how to mark significant moments may be more unknown. There are many possibilities available to the ‘spiritual but not religious.’ There are often many ways to experiment and make your own personal or family rituals.

Sometimes the small ways to honour someone or something are supportive and healing. It may be as simple as lighting a candle, writing a letter to someone to tell them you love them, placing an offering of flowers by a photography, or placing hands together on the earth. Community rituals are another great way to step from one phase of life to another, or to process grief.

Grief for the Earth

From the opening of the film, we find ourselves embedded in wildness. Our guides are parents who believe in teaching their children to respect the natural world. Their choice is to live sustainably ‘without taking more than we need’. Earth grief, and the collective pain of climate disruption and bio-diversity loss are the implied context of ‘A New Kind of Wilderness’. An awareness of the disconnection from nature in an extractive, and digital culture is the wider grief that provides the context for the setting of the film. Maria and Nik have set out to live in close connection with the cycles of nature, and the family find themselves understanding more about what it means to live and die, to be part of the cycle of life.

Imagining a New Future

From the impacts of loss, and ruptures with their chosen lifestyle, we watch the family move towards a re-imagined future. Belonging isn’t easy. Each person has to step into vulnerability, and risk something to grow up. Finding their way to make a new life takes us on a moving and inspiring journey. The love of what is lost remains. Grief is hard to bear, but sometimes, through experiencing it, there can be a deeper-meaning integrated into our lives.

Sarah Pletts is a Grief Tender and Artist who offers workshops, sharing rituals where grief on all themes is welcome. She has a close relationship with local urban wildlife, and chosen family in Hackney, London. For more information about Grief Tending events see here. For a review by Sarah of the film ‘A New Kind of Wilderness’ see here.

Review of 'Bearing the Unbearable' by Joanne Cacciatore by Sarah Pletts.

Joanne Caccciatore’s book ‘Bearing the Unbearable’ is a profoundly intelligent guide to heart-breaking loss. She draws on her own experience as the mother of a new born child who died. In this book, stories of unimaginable tragedy from others who have experienced traumatic grief also illustrate many different aspects of grief. She has gathered an understanding of grief from two decades working with the bereaved and bereft.

Through a deep familiarity with the process of mourning, her descriptions offer an empathic understanding of the realm of loss.
“We might never accept that our child or parent or spouse or grandchild or friend or loved one has died, but we can learn to accept how we feel about that loss, where in us the pain is most acute, its dimensions and texture, its tenor and depth. And over time, grief can morph from a dreaded, unwanted intruder to something more familiar and less terrifying – a companion perhaps.”

‘Bearing the Unbearable’ is divided into short chapters, each of which present nuggets of informed wisdom. Joanne Cacciatore manages to describe the experience of grief with soul-relieving words, while also offering a practical approach for living through the storms of suffering.

While ‘Bearing the Unbearable’ is a handbook for dealing with personal loss, Joanne Cacciatore also recognises the vital importance of processing grief on a macro level.
“…I suspect the bypassing of traumatic grief may be the greatest threat facing humankind today, responsible for immense suffering from addictions and abuse to social disconnection and perhaps even war. When we disconnect from our grief, we disconnect from ourselves, we disconnect from others and from the natural world.”

 Joanne Cacciatore describes the possibility of a collective shift that is a counter cultural revolution when we “pause to be with grief.” She is also an advocate of self-care as a radical practice, and encourages us to grow self-compassion.

In her professional practice, she suggests creative expression, rituals large or small, and meaningful acts that commemorate our losses are all helpful ways of working with grief.

Grief Tending uses a blend of awareness and creative practices, alongside ritual. To see more about Grief Tending or find an event in London, Devon or online, see here.

Sarah Pletts is a Grief Tender and Artist who offers workshops in London and online, sharing rituals where grief on all themes is welcome.  For more information about Grief Tending events see here

Still from the documentary film 'A New Kind of Wilderness.

‘A New Kind of Wilderness’ is a tender and moving documentary. It follows a family dealing with change in the wake of loss. Nik and Maria are re-wilding their family, and have chosen a self-sufficient life-style in Norway and home-schooling for the three youngest children. But when Maria dies, Nik is left dealing with the fallout of grief. We witness each member of the family struggle with Maria’s absence.

Director Silje Evensmo Jacobsen took inspiration from the images of Maria Vatne, whose death happens before ‘A New Kind of Wilderness’ begins; and yet Maria’s words create the context for the drama that unfolds.

There are interconnected consequences of Maria’s death – many ‘secondary losses’ that impact the family. We see Nik struggling with complex decisions, and the loss of a shared future dream.  They hoped to raise the children wild and free, to understand the life cycle of plants and animals, and our relationship with them.

The narrative is seeped in the beauty of a life lived in close connection with nature. It also portrays the paradoxes of modernity. We watch Nik grapple with how to earn a living, educate children and grow food solo.

Squeezed by financial necessities and an external pressure from others to ‘move on’ from grief, the siblings and father each have their own issues. The camera catches the many faces of their emotions, through body language and touching exchanges. It made me cry at unexpected moments.

We are offered glimpses into the private world of the family at a vulnerable time where cameras would not usually be invited. Time passes, and through small rituals, we watch them grow through grief. Moments tinged with happy/sad draw the viewer into the intimacy of their family life. Their story touched me, as we watch them begin to ‘build a future’.

‘A New Kind of Wilderness’ is a beautiful story about the upheaval that death may bring, and of resources and challenges arising in response. It reminds me that we can adapt and that through navigating change, we grow more resilient.

For an article about the themes of love, loss and belonging in the film, see here.

If the themes in this film affect you, you can find Grief Tending workshops in London and online here.

Sarah Pletts is a Grief Tender and Artist who offers workshops in London and online, sharing rituals where grief on all themes is welcome.  For more information about Grief Tending events see here