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I’m paying attention to the invitations that come my way, and am saying “Yes” to some of the ones that in the past would have scared me. Now I am observing a little tingle and taking a risk.

I’m expanding my stretch zone. It’s also known as the ‘magic’ zone. It’s the territory we invite participants to step into during our workshops. With practice, our stretch zone becomes more comfortable and grows. It is a place where our learning can take place at a manageable pace.

Anxiety is often one of the natural responses as part of the grief experience. However, if the events we offer seem too far out of your comfort zone to contemplate, it might be helpful to know that staying in your comfort zone is an option. Even if you choose to join one of our workshops, everything we invite people to do is optional.

In a Grief Tending workshop we definitely don’t want people to leap beyond their stretch into their terror zone. When things are terrifying it’s probably not going to allow your nervous system to engage and process in a helpful way. But if there’s a tinge of nervousness or excitement, maybe now is the moment to take one step out of your comfort zone and try something new.

Once someone has booked to come to a workshop, anxiety can build. It is not unusual for all kinds of imagined scenarios to unfold, and feelings to surface. People often report physical symptoms or tensions increasing in the days beforehand. Many people feel worried about the concept of speaking in front of a group. Although we offer many different kinds of exercises and only some of them may include speaking.

If your ‘Worry Monster’ is activated, it can be helpful to find out more about what will be involved, or the style of facilitation. If there is something specific that you need, or are concerned about, it’ a great idea to ask. Often people need to know that they can take care of their own needs in the environment, and a bit more information can help to settle their nerves. If you are contemplating coming to one of our workshops, I recommend watching the video ‘What Happens in a Grief Tending Workshop?’

For Grief Tending workshops and events coming up, please see here.

Almost every morning for the last twenty years I have taken the dog for a walk. Now both dogs have died and I am coming to terms with a small shift in identity. I am no longer one of the dog people who say hello or chat because they have a dog with them. I love the permission that having a dog (or a child) gives to speak to others. I have got to know many people of all backgrounds through having a four-legged friend by my ankles. Now it may seem odd that I choose to walk in the rain, without the cover of a dog.

Loss is often coupled with questions of identity. People may not know what to reply when asked “How many children do you have?” after the death of a child. People report uncertainty in choosing how to respond to these painful innocent questions.

Likewise, when a partner has died there are no universal signals in dress, of being a remaining partner; although dressing as a widow is still practiced in some cultures. When a partner dies we may tick a new box in official forms, and it can be another reminder on top of many other losses.

When coming to the end of a working life (not always by choice), people may struggle with the absence of a work identity, particularly if it was associated with a dedicated career path. Each crossroads in life may come with these differences.

We may hold fixed stories in our heads about who we are. With change can come uncertainty. The narrative is disrupted, and we are required to make a new story that we tell about ourselves, and tell to others.

If we have chosen a life-changing identity shift, even when we are pursuing our dreams, there can be aspects of ourselves that we are leaving behind. As we celebrate the new, these parts of us may still need to be acknowledged and grieved as we say goodbye to them. There is a tendency to want to avoid endings of all kinds, to let them slip away un-noticed. When we let the completions in our life be marked, to be seen, it can help as we take the next step.

For Grief Tending workshops and events coming up, see here.

When natural conditions prevail, Birch is the first tree that will grow on open land, beginning the cultivation of a woodland. Glennie Kindred holds much knowledge about both the practical and symbolic ways of trees.

“Birches are known as nurse trees, and their generosity and ability to nurture other trees and plants form part of their key signature picture. They do this via the nutrients and minerals that their root systems bring up from deep within the ground, and these are returned to the soil through their leaves as they shed them in the autumn, making the land fertile for other trees to follow”. From ‘Walking With Trees’ by Glennie Kindred.

Birch is the first tree in the ancient Irish alphabet too, the Tree Ogham (pronounced Oh-am). It is associated with new beginnings. If you look closely at a Silver Birch tree, you can find splits in the bark that resemble eyes or vulvas, which remind me of this connection with birth.

In the ancient world, Birch was aligned with the Goddess Brigid. The Birch tree’s gentle waving branches that reach down from her upright trunk resemble a caring mother figure, and is known as ‘The White Lady’ or ‘The Lady of the Woods’. I pass this particular statuesque Silver Birch regularly, and greet her with a silent nod. Unlike the Yew, a Birch lifespan is closer to that of a human, so this tree is a grand senior.

Becoming familiar with a particular tree through the seasons, is a good way into nature connection. If you are looking for a bit less digital time, and a bit more time outdoors, the start of the year is a good time to make small adjustments to your routine. A regular ‘sit spot’ can be a great way to practice this, without making any great effort to a particular meditation, but just a regular location to be for a short period of time and allow nature to be present too.

I keep an eye open for the many Birch species that line streets and light up parks and gardens. The Paper Birch with its dazzling white bark that peels like paper is particularly bright. If like me, you are unable to recognise many trees, the Woodland Trust now has an App to help to identify different species.

The energy of Birch brings healing, and a creative boost to the start of a project. This may include clearing uncertainty and looking at events from new perspectives. Flower Essences are believed to contain the vibration of a flower. Findhorn Flower Essences include Birch drops, if you are looking for another way to make a deeper connection with this tree.

What are you facing towards in 2024? As this new year begins, is there something that you would like to discover or develop? Can the upright intention of Birch, with its gentle, inclusive kindness bring the medicine of an open mind and inspiration as you step forward?  Wishing you well in all your endeavours.

Find our Grief Tending events coming up here.

The yew has long been associated with the end of the year. The original ‘yule log’ was from the yew tree, now represented in chocolate. Both the word yew and yule share derivation with the Old Norse word jól, the name of a long winter festival of the sun.

I was introduced to the wisdom of Yew trees through Sam Lee, Chris Parks and Charlotte Pulver. They invited a group to sing and breathe under an ancient Yew, which was an enchanting experience.

The Yew Tree if left to its own devices will keep growing for thousands of years, and has a number of ways to regenerate itself. Hence it is a symbol of the eternal, of death and rebirth. It is the final letter in the old Irish alphabet, the tree Ogham. It’s bark, needles and berry seeds are all highly poisonous (although the flesh of the seed is not). As another reminder of death and regeneration, Yew is used as an ingredient in chemotherapy.

Through becoming more familiar with this tree species, I was inspired to visit was Kingley Vale Yew Forest in West Sussex. Weaving under the sweeping yew branches was magical. Meeting some of the ancient trees there under a shady canopy offered an invitation to slow down, to compare my short life in relation to their longer timeline of people and times gone before.

The end of the year can be a good time to review where we have been over the previous twelve months, to mourn the losses, celebrate our achievements and harvest the learnings. The Year Compass is a free online tool to explore a full review if you are looking for a reflection process. It also invites an orientation to what’s next. One of the questions that I like, is ‘What three places would you like to visit in the year ahead?’

On my list to visit for 2024 is the Yew tree in the churchyard of St Andrews Totteridge in North London, which is thought to be around 2000 years old. Yew trees are often found in churchyards, and may pre-date the current church building, marking an older site that was locally significant.

If we have the luxury of time off during the dark of winter time, it can be resourcing to go inward, to dream, to replenish ourselves with rest before the next cycle begins. I find a pause helpful – even when we are only able to take a micro-pause of one breath. Pauses allow us to digest experiences, to connect with our inner world, or another being. They provide us with a moment to gather ourselves before heading back into the world. This movement inwards can be a resource to help us to face the storm of life – whether near or further afield.

In Glennie Kindred’s book ‘Walking With Trees’ , she invites us to step into a deeper enquiry.
“Walking with Yews inspires us to engage with our own abilities to transform, adapt and change. We can choose to start again by walking away from old life style choices or old ways of looking at things. We always have the choice to change our thinking habits and transform our beliefs. Each end, each death of the old, be it small or large, opens up a new opportunity for a new beginning, brings with it hope, and new possibilities waiting to unfold.”

Find our Grief Tending events coming up here.

There are so many reasons to feel stressed at this time of year. In addition to all the things that stretch our everyday capacity, like rising prices, coping with winter weather, and the pressures of working too much or too little, seasonal expectations may add an additional pressure. Our relationship with ‘home’ whatever that means for you, may also be challenging. So often the childhood image of a cosy house may be painfully absent, for many different reasons.

If you are grieving someone, or managing change of any kind, there may be constant reminders of absence or difficulty. People may become acutely aware of feeling lonely, disconnected from others, or facing complex relationship dynamics in navigating this time of year. For some the focus is on personal grief, and for others there is more of a sense of distress about global issues. Often there is an interplay between both, and overwhelm might be a regular experience. Finding ways to play and have fun are important too, especially when times are tough.

In Grief Tending, we come together to practice finding simple resources, have a chance to express some of the challenges we face (whatever they are), and connect with others who may have very different experiences from us. In this way, we may also strengthen our compassion muscle. All of these skills may be much needed over the winter festival season. It can also be an unexpectedly uplifting experience. Remembering and connecting with what we love, and what supports us can be an important first step.

Grief Tending events for the season can be found here.

The ‘Day of the Dead’ theme has struck an increasingly powerful chord in youth culture in the UK over the last few years. ‘El Dia de los Muertos’ as it is known in Spanish has evolved and spread from Mexican culture, blending indigenous and Christian traditions over the centuries. The film ‘Coco’ popularised the theme in 2017 for a generation of young people.

But it is more than a time for Halloween dressing up with tricks and treats. Many are hungry for a deeper connection with mortality, with ancestors, with acknowledging those who have gone before. People came to our pre-party workshop at Fox and Badge to mark their own private sorrows, and also collective themes.

Tony Pletts, Bilal Nasim and I are being invited to devise ‘Embracing Grief’ rituals for different settings. These take different forms to suit the situation, and number of people. Recently this has included a large community ritual at the Medicine Festival for around 120 people (with Sophy Banks), and a workshop designed for Fox and Badge for their Day of the Dead party for 40 or so participants. This took place in a night club at the beginning of a night of playful celebration.

When designing the format and content of an event, we have to consider what this particular group of people might feel comfortable with. In our Grief Tending groups there is often a wide diversity of social class, race, faith, age and GSRD (Gender, Sexuality and Relationship Diversity); and we aim to assist everyone to feel comfortable enough together in what is often very unfamiliar territory.

The basic shape of Grief Tending – the arc of experience, starts by bringing people together and recalling the support we have access to. Then we use trauma sensitive principles like ‘pendulation’ and ‘titration’ to move step by step towards feeling (or the absence of feeling). These are trauma tools originally described by Peter Levine. There is an invitation for some kind of expression, through different practices. Then we invite exercises to soothe the nervous system, followed by some simple integration processes. This basic pattern can look very different according to time available, number of people, location and setting.

The way we work has its roots in the indigenous practices of the Dagara People, blended with modern psychological understandings, and underpinned by neuroscience. You can see more in the short video ‘Where Does Grief Tending Come From?’ In bringing these strands together, we create an embodied way of working that adapts old ways for a modern, urban environment.

Some may suspect Grief Tending is ‘woo woo’; but bringing forms of grief ritual is both an antidote to a ‘death-phobic culture,’ and a radical way to begin to process the trauma residues from systems of harm (check out Healthy Human Culture). As Audre Lorde so aptly puts it, “The master’s tools will never dismantle the master’s house”. The power of this work to increase our capacity for feeling awkward is one of its strengths. As one recent participant recently described, “this is the work of sacred activism”.

Standing before an audience of creatively costumed grievers was an interesting experience. Behind masks and face paint were beautiful, vulnerable humans that I probably wouldn’t recognise in the street. Tony, Bilal and I are no strangers to the carnival world of dressing up and immersive theatre, so we welcomed this invitation. Wondering whether our Francis Weller’s ‘Gates of Grief’ mats would be swept away by the train of a ball gown was a problem I hadn’t previously given any thought to.

We invited these colourful creatures to move between support and grief via two shrines. One ‘Love Shrine’ to express gratitude and praise, to count our blessings, and the other ‘Grief Shrine’, to mark suffering and loss. After the workshop, others came to add their own mementoes of remembrance to the growing number of griefs and gratitudes.

We were careful in the design of this event to tread gently. We felt it was important in this context to point towards but not to open up to deep exploration, where boundaries, communication and responses were more unpredictable than at one of our smaller gatherings. But the conversations and expressions that we encountered spoke of the need for both remembrance and play, and rituals to open us to the significance of both love and loss.

To discover Grief Tending events in person and online, or to invite us to create something for you email us.

 

Dual Process ModelIn London it is suddenly cold. The dark is lengthening, and the colours of autumn can be glorious. For me, the work of grieving involves expanding my capacity to be with both the darkness and the light, both the pain of the world and the beauty in it.

The awareness of grief as something to be acknowledged and spoken about seems to be more accepted in the wake of the COVID pandemic. Normal life goes on despite the suffering that people experience. Global events co-exist in my mind with thoughts about every day needs and desires for good food, sleep and the company of good friends.

I find the ‘Dual Process Model’ theory of grief helpful, to understand the co-existing needs for time to grieve, the continuation of everyday life (which may include other stresses) and developing a new way of being towards integrating loss. Stroebe and Schut’s theory describes an ‘oscillation’ that occurs between ‘loss orientation’, and ‘restoration orientation’, and recognises the necessary attention to life tasks too. We need time to grieve. It is also natural to need time away from an intense grief focus too. They recognise that moving between loss and recovery, can be a helpful way to find more resilience.

The way Grief Tending works is informed by this understanding too. The process involves anchoring in support, and dipping into grief in short bursts before returning to self-care again. It is normal for our grieving and re-orienting towards recovery to happen while everyday life goes on. Creating a threshold can help the expression of grief feel more manageable.

Ritual is one way to make this threshold, by creating a boundary of time and place, setting an intention, and making space for grief to be expressed without feelings flooding out unbidden at other times. For many people the traditions that previous generations were held by are absent, and they are hungry for grief rituals that can help them to contain and yet express emotions.

Grief Tending is not for everyone. And it is not always the right time to try this approach to allowing grief. It is important to honour our defences, which may have good reason to protect us now, as they did in the past. Sometimes we are still too immersed in an immediate crisis, without breathing space to process emotions. We may need to put our attention into finding support and stability before beginning to do this kind of inner work. But it may be just the way to move gently into our ‘stretch’ or ‘learning zone’ that will help ease the movement between orienting to loss and restoration.

Find Grief Tending workshops and events here.

 

This is not the truth! I notice I feel more confident when Sophy Banks offers this caveat when she talks about her synthesis of insights known as ‘Healthy Human Culture’. In Episode 198 of the ‘Accidental Gods’ podcast, Manda Scott talks to Sophy about why and how systems become dysfunctional, and the possibility of change.

Encouraging us to take a wide view, Sophy looks at systems of harm that put profit over people, and the inter-generational and collective issues that proliferate without some of the vital ingredients needed for healthy communities.

I have been very lucky to study and work alongside Sophy Banks as the ideas that make up ‘Healthy Human Culture’ evolve. As I come to know the concepts better, my understanding deepens. Her proposals include maps that identify the dynamics of change, that could be applied to any group – small or large. One starting point is to identify the components needed for health in a system. “What does a healthy human culture look like?” she asks.

To understand why even good people with good intentions often fail to create healthy patterns of behaviour, another key question is “What do we do with our pain?” Cutting it off, avoiding it, numbing it or dumping it onto someone else with less power are some normal and problematic defence strategies. Acknowledging and integrating the shadow that is always present is necessary.

In this interview, Manda Scott teases out some of the underpinning factors of unhealthy systems, as well as pointing to routes back from this towards health. Sophy Banks brings her eclectic life-experience to identify the embodied practices that may help. This includes many ways to repair ruptures, redress balance in the body and process traumatic impacts, from simple micro interventions like taking a breath to more collective ways to digest trauma such as Grief Tending and sweat lodges.

The meta-frame offered by Healthy Human Culture includes a lens that sees what happens when systems are operating from a bass-line of collective trauma. In societies where individualism is dominant, we often fail to see the collective issues and an absence of communal restoration processes. A ‘self-help’ culture of personal healing can distract from the absence of wider community support. Self-judgement, self-blame and self-hate all seem very prevalent. We are often doing our best with little support, and deserve more kindness – both from ourselves and others.

Learning more about Healthy Human Culture can help us to identify what is going wrong, but also encourages us to find some of the many ‘return paths’ that can help us back to more balanced and whole ways of living. It is possible to reclaim our birth-right of being held by people who care about us, as well as for the wellbeing of people and planet. I recommend listening to the podcast as an introduction. And if you are interested in digging deeper, I will be one of the facilitators supporting the Learning Journeys with Sophy Banks this autumn.

Like Ash Sarkar who interviews Richard Beard on Novara Media’s podcast ‘Downstream: We Must Ban Private Schools’, I went to a comprehensive school. If this was also your experience, you’d be forgiven for thinking that ‘boarding school syndrome’ doesn’t affect you. Maybe like me you have friends or family who did, but it’s not just that. As Ash says,
“boarding school life is suffused through our popular culture,” and it creates a fascinating mystique, and consequences for us all. Of course, not everyone has a bad experience of boarding school life, and I’m not suggesting that if you went to a comprehensive school you had a brilliant time either. In an ideal world, education would be a flexible, caring, child-centred place to explore and develop.

Richard Beard argues (one of a growing cohort who have written on the subject including Joy Schaverien and Alex Renton), that boarding school is where many of our leaders in politics, business, law, journalism and other professions may have learned to disconnect from compassion. The consequences of the normalisation of separating children as young as seven or eight from their loving care-givers, to be imprinted by a competitive system that shames vulnerability, and where abuse, bullying and punishment were (in the past at least) endemic, may have repercussions for everyone in society.

This potentially traumatising system underpins much of our society, and was exported from the UK via colonialism to mete out further harm in other places. Beard adds that the values of this exclusive education also trickle down into the whole private school system in the UK, where “a cycle of entitlement” may be fostered, if people have been repeatedly told that they have received the best education. Beard eloquently describes a system that can condone independence, at the expense of distress, in the name of privilege.

Beard also describes the mechanism that creates this
“dislocation between what you’re being told and what you’re feeling”, which gives rise to repression of empathy. He describes the painful sound of a dormitory’s grief, where,
“a volley of cries goes round the room”, but “the next day we’ve got to get up and we’ve got to pretend that never happened.” The resulting internalised message is, “Don’t show empathy for other peoples’ emotions, and then don’t show empathy for your own. Don’t show empathy for your own sadness.”

Some of the other defences that people may be socialised into in this system include: deflection, politeness, charm and inauthentic self-deprecation. These defences compensate for a complex set of emotions that are being defended against. Richard Beard’s book ‘Sad Little Men: Private Schools and the Ruin of England’ explores these dynamics in public schools in more depth.

In artist Tony Gammidge’s animation ‘Norton Grim and Me’, he reveals himself as school boy in a dormitory where tears are ignored, and the severing of family ties is perpetuated in the name of tradition. He says:
Norton Grim and Me is about my experiences of going to boarding school, aged 7 years old. It is about the trauma of the separation from my home and family, the tradition and culture that normalises this practice and the impact that this has had on me emotionally and somatically.”

It’s a short, powerful watch that gives an alternative version of boarding school to the jolly games of Quidditch in Harry Potter. Also disturbing is the portrayal of Philip and Charles’ school days as dramatic portrayals of a repressive regime in ‘The Crown’.

Rummaging in family papers, I find evidence from my father’s school days. I shudder when I read his school report age 8 that reads, “Has started Rugby. Will do better when he is a little more robust”. Even as an adult he remained slight.  I scrutinise the faces of boys, the majority of whom look unhappy, and the stern ‘masters’.

In addition to the foundation provided by a boarding school education which may in itself be problematic, sexual abuse, at least in former decades was rife. I am gratified by Christ’s Hospital’s recent ‘statement of acknowledgement’, which feels like a significant step in the right direction. The Scottish Child Abuse Inquiry is currently investigating not only children in care, but also in boarding schools.

While individual teachers who are subject to allegations may face prosecution, the recognition that school cultures may have played a part in enabling or covering up harm that children in their care experienced is important. Boarding schools are one example of a ‘total institution’, as described by Erving Goffman. This is a “place of residence and work where a large number of like-situated individuals, cut off from the wider society for an appreciable period of time, together lead an enclosed, formally administered round of life.” In such systems, if unscrupulous people are in charge, perhaps with their own developmental trauma, they can wield power unchecked with impunity.

Sophy Banks enquiry into ‘Healthy Human Culture’, looks at the dynamics of change in organisations. This work explores how we uncover the unhealthy dynamics that enables misuse of power, and how to begin the work of restoration and repair. Vitally she asks the question, what would a healthy system look like, with caring community at the centre, and educational values that favour respect, curiosity, creativity over ruthless competition?

In ‘Of Water and the Spirit’, Malidoma Patrice Somé describes his own religious schooling. It is an example of the way some Europeans exported an authoritarian educational regime. He rebelled,
“…for there are times when disobedience heals a very ailing part of the self. It relieves the human spirit’s distress at being forced into narrow boundaries. For the nearly powerless, defying authority is often the only power available.” His experience in this system was part of the process that eventually brought him back to his indigenous roots. This cross-cultural journey is one of the threads that would bring the social technology of Grief Tending to the UK.

Re-connecting with emotions, long repressed is a common theme that people may bring to Grief Tending spaces. Boarding school trauma, and other surrounding issues, may be a theme that someone carries. We offer support circles and grief workshops where we encourage empathy for both ourselves and others. You can find our next events here.

 

I’ve been thinking recently about the theme of betrayal. Do you feel that you were sold the dream of happiness in life, but all you are left with is a burst balloon?

There are the deliberate acts of betrayal – stories of revenge or deception. The fascinating ‘cat-fishing’ story recounted in the Tortoise Media podcast ‘Sweet Bobby’ describes how devastating an intimate betrayal can be. Just think about how you felt if you have ever been scammed and multiply it.

There are ways in which we may feel betrayed by care-givers, elders or leaders; the very people we trusted to take care of us in our families or communities. Imagine the betrayal, for example, of those affected by disasters such as earthquake, flood, storm – who may have been failed by builders, town planners, governments, NGO’s and the wider world.

‘What we expected but did not receive,’ one of Francis Weller’s ‘Gates of Grief’, comes in many shapes and forms. It may show up as an existential sense of betrayal – the hopes and dreams which have not been delivered. This may be where disappointment and longing meets betrayal.

From our early years, stories portray the ‘hero’s journey’ as the route through life, but Paul Weinfield tells another version:

“In the real hero’s journey, the dragon slays YOU. Much to your surprise, you couldn’t make that marriage work. Much to your surprise, you turned forty with no kids, no house, and no prospects. Much to your surprise, the world didn’t want the gifts you proudly offered it.” Quoted here.

Then there are all the mundane acts of betrayal we have experienced or dished out to others in our everyday relationships. Have you ever cheated or been cheated on? These acts of dishonesty, disloyalty, or insensitivity, and accidents of miscommunication populate our relationship lives with all too familiar drama.

Acts of self-betrayal are also often painfully commonplace. Where have I disregarded my physical or emotional needs? My personal needs are regularly competing with my social needs to be liked and belong. Remaining loyal to my body, I regularly feel as though I am letting people down, betraying the loyalty of a friendship because my social capacity has limits.

Wherever there are relationships based on trust, there is the potential for betrayal. In the past I have assumed shared ethics, only to discover that someone was abusing their position of power, and exploiting my loyalty. The outcome was that I felt betrayed. Afterwards I felt the absence of places to express my feelings, to explore what was true for me.

In the wake of ‘betrayal trauma’, trust doesn’t come easily. I discovered Grief Tending post ‘Me Too’, as a space where a vast range of complex feelings might be welcomed, and as a way for people and communities to begin the process of acknowledgement and repair. Whether personal or collective, the grief of betrayal is a welcome theme at our events.

You can find out more about the Grief Tending events we offer here.